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In the underground nightclubs of 1950s Memphis, Tennessee, the soul of a new era is dawning as the first incredible sounds of rock ‘n’ roll, blues and gospel are emerging into the mainstream.
- Address
Shaftesbury Avenue, LONDON
- Cancellation Policy
No refunds available after purchase.
- Duration
2 hours and 30 minutes including one interval.
- Good To Know
*The start time of the the evening performance of MEMPHIS on Saturday 12th September has been changed to 8pm (from 7:30pm) *
Ms Beverley Knight will not be performing on the following dates:
17-18 July 2015
3-5 August 2015
8, 15 - 24 and 28 September 2015
2 October 2015
Excluding the dates above, Ms Beverley Knight is not scheduled to perform on Monday evening and Wednesday matinee performances.
From 6 July Mr Matt Cardle is not scheduled to perform at Wednesday matinee.
Mr Cardle will not be performing on the following date:
Saturday 3rd October 2015 (eve and mat)
Ms Beverley Knight will now be performing on the following Monday nights:
6, 13 and 27 July 2015
10, 17, 24 and 31 August 2015
Beverley Knight's last performance as Felicia in MEMPHIS will be Saturday 17th October 2015.
Until 4 July 2015 Mr Killian Donnelly is not scheduled to perform at Thursday evening performances.
The Producers of MEMPHIS cannot guarantee the appearance of any particular artist, which is always subject to illness and holidays.
- How Does It Work
You will receive a confirmation email after booking to present to the box office on arrival.
- Suitable For Children
Suitable for ages 11 and over.
- Times
Monday - Saturday at 7.30PM
Wednesday & Saturday at 2.30PM- Where Do I Go
210 Shaftesbury Avenue, London WC2H 8DP
By Tube- Tottenham Court Road, Holborn, Covent Garden
By Bus-1, 8, 19, 25, 38, 55, 98, 242
Shaftesbury Theatre
Shaftesbury Avenue, LONDON
Latest critic reviews
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The new west end stage production has already won a Tony award in the US- it' clear to see why
The Mirror
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"Beverley Knight excels in Memphis, a thrilling musical set in segregation- era America. ...It boasts some of the most thrilling vocal work you’ll find on the London stage, in its roof-raising evocation of the birth of rock’n’ roll…"
The Telegraph